Work
SEEN
Role: First Assistant Director
Role: First Assistant Director
A suspense-driven short film following characters forced to confront the unsettling feeling that they are being watched. As tensions rise, perception and reality begin to blur.
As First Assistant Director, I helped coordinate production logistics and keep the set running efficiently while the creative team focused on performance and story.
OFFICIAL SELECTION: South Asian Indian Film Festival Florida 2026
JON BRAGG (TV Series)
Role: Key Grip
A television project centered around the life and experiences of Jon Bragg. Working in the grip department, I contributed to the rigging and support systems that help shape the lighting and camera setups used throughout production.
MISTLETOE MANSION
Role: Key Grip
A holiday television film set within a festive mansion filled with romance, humor, and seasonal chaos.
As Key Grip, I worked alongside the camera and lighting departments to execute technical setups that supported the film’s warm, polished visual style.
Extortion Thugs
Role: Key Grip
An action-driven crime story centered around escalating tensions within a dangerous criminal world.
Working as Key Grip, I helped execute lighting and camera support setups, collaborating closely with the cinematography team to ensure the production could move efficiently while maintaining the visual style of the film.
Of Men and Monsters
Role: Director/Writer
Eight strangers are blackmailed into meeting at a secluded cabin in the woods of upstate New York by a mysterious host who claims he is a werewolf. As paranoia spreads through the group, they must decide whether they’re being manipulated—or whether the threat among them is very real.
A tense, character-driven horror short exploring fear, suspicion, and what people are capable of when survival is on the line.
TAKE IT OR BLEED IT
Role: Cinematographer
A darkly comedic short that blends horror and humor as a seemingly simple situation spirals rapidly out of control. The film leans into stylized visuals and escalating tension while playing with genre expectations.
As cinematographer, I worked closely with the director to develop the film’s visual tone through lighting, framing, and camera movement.
Official Selection: PopCon Film Festival (2024) and Another Hole in the Head Film Festival (2023)
